Have you noticed that your favorite show has started to seem shallow, like it's not the vibrant 3-dimensional world you fell in love with? Or maybe your show has become such a twisted tangle of unresolved mysteries and dangling plot lines that you get lost just thinking about it. In either case, the problem is to do with the Subplot.
Subplots are an important part of every show. They allow for more than one story per episode, so you don't get bored with the main one, and extended subplots can be used to link episodes, forcing or enticing the viewer to tune in every week to get the whole story.
Remember the old episodes of the Simpsons? Each episode generally had two plots running side-by-side, a main plot and a subplot. Lisa tries to get into a fancy school and Homer adopts a goat. In the best case scenarios, the two plots would meet up near the end and resolve each other. Seinfeld was the best at this, where the two plots would converge in such a way as to be brilliantly surprising and so surprisingly obvious that you couldn't believe you hadn't seen it coming. This made their world seem more alive, like there was a lot more stuff going on.
But when comedy shows start to go bad, they lose the subplot. It's almost like they are so low on ideas, they can't afford to waste two plots on every episode. So you get a whole episode where Lisa does nothing but try to get into a fancy school and another episode where Homer does nothing but get a goat, AND THAT'S ALL THAT HAPPENS. Just 20 minutes of the same forced joke over and over.
Family Guy has only recently become guilty of this as well. Sure, Peter may go from one thing to another in an episode, like singing "Everybody knows that the Bird is the Word!" for a total of 3 minutes (I counted) and then hanging out with Jesus. But that's all that happens. No subplots involving Meg, or Chris or Stewie. They barely have any lines at all anymore, unless the entire show is about them, in which case you don't see any of the other characters. This is why that world seems so shallow and empty. It's like nothing else is going on in that world except what we are watching.
And as for live action or dramatic shows, the exact opposite holds true. You can usually tell that they've run out of ideas when the subplots TAKE OVER the whole show. This occurs when an entire season is comprised of ideas that would have made one good episode in the first season, but are now stretched out over six. This again is a sure sign that the writers have run out of ideas, and can't afford to waste an idea on just one episode.
Shows like Smallville, Lost and Desperate Housewives are the type this usually happens to. If you find that you can't remember where one episode ended and another began, or you can't explain what happened in this week's episode without explaining what happened in the last four, then your show is guilty of this sin.
Now, these are not meant to be hard and fast rules. They don't apply to ever show ever made. These are just patterns I have noticed among the shows I've watched. When I find that a show has stopped being enjoyable, I want to know why, and that's why I came up with these rules. What do you think? Do you know of any shows this has happened to?
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